nature of personality and the structure of personality are distinguished, and the thesis that mainstream personality theories in psychology debate structure but not nature is illustrated with definitions. Mainstream theories assume that person ality is an inner determinant of behavior, but according to views in psychiatry, phenomenology and radical behaviorism the nature of personality is transactional. The theory of reinforcement schedules proposes general mechanisms of transac tions, and phenomenology gives particular transactions meaning. Interactionism, which locates personality in the person and (...) the situation, contributes measurement to transactionalism but its paradigmatic status is ambiguous because it implies an internal storage system for behavior. (shrink)

In his prefatory epistle dedicating his Naturalis Historia to Vespasian, the elder Pliny takes great pains to plead that his magnum opus is unworthy of the emperor: ‘maiorem te sciebam, quam ut descensurum hue putarem’ . Continuing in this vein, Pliny goes on to say ‘praeterea est quaedam publica etiam eruditorum reiectio’, and appeals for support to the great Cicero: ‘utitur ilia et M. Tullius extra omnem ingenii aleam positus, et, quod miremur, per aduocatum defenditur’ . Cicero's aduocatus is the (...) satirist Lucilius, from whom a mangled fragment in trochaic septenarii is then quoted: ‘nec doctissimis. Manium Persium haec legere nolo, Iunium Congum uolo.’ The sense of this fragment, which Pliny very probably quoted from the now-lost beginning of Cicero's preface to his De Re Publica, can be restored from Cicero, De Oratore 2.25: ‘nam ut C. Lucilius…dicere solebat ea quae scriberet neque ab indoctissimis se neque a doctissimis legi uelle, quod alteri nihil intelligerent, alteri plus fortasse quam ipse; quo etiam scripsit “Persium non curo legere” , “Laelium Decimum uolo” : sic ego…’. This latter passage has allowed the former to be restored, to some extent exempli gratia, to the following form in Warmington's and Krenkel's editions of Lucilius. (shrink)

In his prefatory epistle dedicating his Naturalis Historia to Vespasian, the elder Pliny takes great pains to plead that his magnum opus is unworthy of the emperor: ‘maiorem te sciebam, quam ut descensurum hue putarem’. Continuing in this vein, Pliny goes on to say ‘praeterea est quaedam publica etiam eruditorum reiectio’, and appeals for support to the great Cicero: ‘utitur ilia et M. Tullius extra omnem ingenii aleam positus, et, quod miremur, per aduocatum defenditur’. Cicero's aduocatus is the satirist Lucilius, (...) from whom a mangled fragment in trochaic septenarii is then quoted: ‘nec doctissimis. Manium Persium haec legere nolo, Iunium Congum uolo.’ The sense of this fragment, which Pliny very probably quoted from the now-lost beginning of Cicero's preface to his De Re Publica, can be restored from Cicero, De Oratore 2.25: ‘nam ut C. Lucilius…dicere solebat ea quae scriberet neque ab indoctissimis se neque a doctissimis legi uelle, quod alteri nihil intelligerent, alteri plus fortasse quam ipse; quo etiam scripsit “Persium non curo legere”, “Laelium Decimum uolo” : sic ego…’. This latter passage has allowed the former to be restored, to some extent exempli gratia, to the following form in Warmington's and Krenkel's editions of Lucilius. (shrink)

This is the reading of Clausen's OCT, in which no variant for line 131 is recorded in the apparatus. No doubt the hendiadys ‘scutica et metus…erilis’ is not impossible,2 but it seems to me not to be a well chosen expression. Since the scutica belongs to the master, one is tempted to construe erilis with both nouns, not just with metus. But then the adjective must function in two different ways: ‘scutica… erilis’ is possessive, ‘his master's strap’, but ‘metus…erilis’ is (...) objective, ‘fear of his master’. And ‘metus…erilis’ in this passage receives no support from ‘erilis…metus’ at Plautus, Amphitruo 1069, which means ‘fear for my mistress’. (shrink)

This is the reading of Clausen's OCT, in which no variant for line 131 is recorded in the apparatus. No doubt the hendiadys ‘scutica et metus…erilis’ is not impossible,2 but it seems to me not to be a well chosen expression. Since the scutica belongs to the master, one is tempted to construe erilis with both nouns, not just with metus. But then the adjective must function in two different ways: ‘scutica… erilis’ is possessive, ‘his master's strap’, but ‘metus…erilis’ is (...) objective, ‘fear of his master’. And ‘metus…erilis’ in this passage receives no support from ‘erilis…metus’ at Plautus, Amphitruo 1069, which means ‘fear for my mistress’. (shrink)

In an essay entitled ‘Cinna the Poet’ published in 1974, T. P. Wiseman forcefully countered the arguments of Monroe E. Deutsch and others against the identification of the ‘neoteric’ poet Cinna with the tribune Gaius Helvius Cinna, who after Caesar's funeral was torn to pieces by an enraged mob, mistaken by it for the praetor Lucius Cornelius Cinna, who had applauded Caesar's murder. The identification of the poet with the tribune is supported by Plutarch, Brutus 20.4, where the murdered tribune (...) is called a ποιητικ⋯ς ⋯ν⋯ρ. As Wiseman says, ‘there are six other ancient accounts of the murder, drawn from a source or sources unknown; five of them call the victim a tribune of the plebs, and none of them says he was a poet. Impressed by this, many scholars have thought that the victim was not in fact the poet Helvius Cinna, and M. E. Deutsch suggested in 1925 that either the phrase in the Brutus describing him as a poet is a gloss, or “the tribune also dabbled in verse but was not the famous poet”.’ Wiseman's refutation of the various arguments of Deutsch and his followers against the identity of the poet and the tribune seems to me quite cogent, but the debate shows no sign of having been brought to a close: G. V. Sumner concludes his review of Wiseman's essay with an argument that the tribune was probably somewhat younger than the poet, and the suggestion that the tribune may have been ‘the adoptive, and hence homonymous, son of the poet’. (shrink)

In lines 5–8 of his 95th poem Catullus contrasts the everlasting world-wide fame which P. Helvius Cinna's Smyrna will enjoy with the quick death which Volusius' I Annales will suffer before they get beyond the Po.